{"id":5312,"date":"2018-03-25T17:52:33","date_gmt":"2018-03-25T15:52:33","guid":{"rendered":"http:\/\/partitura.org\/?p=5312"},"modified":"2022-03-25T09:24:02","modified_gmt":"2022-03-25T07:24:02","slug":"johann-christian-kittel-fuga-3-voce-g-dur","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-christian-kittel-fuga-3-voce-g-dur\/","title":{"rendered":"Johann Christian Kittel, Fuga \u00e0 3 voce, G Dur"},"content":{"rendered":"<p>Manuscript Mus ms Bach P287, owned by the Staatbibliothek zu Berlin, contains 6 keyboard fugues by Johann Christian Kittel. They are amongst the first works I transcribed, back in 2014, practising my engraving software and trying out different layouts for my scores. I never published them, because they were to difficult for me to play, and I didn&#8217;t have a suitable sample set for small scale works like these. The new sample set of the OInderhorst Kabinet organ in Bennekom, produced by <a href=\"http:\/\/home.kpn.nl\/legro\/\">Legro<\/a> (palindrom of &#8216;orgel&#8217;, the Dutch word for organ) is ideal for these works. So it&#8217;s time to finally publish these 6 fugues. In these fugues Kittel show himself to be an able contrapuntician. The fugues are a bit stiff, yet are very nice to play. I had a fun day recording these 6 fugues.  <\/p>\n<p>The recording was done with the sampleset of the <a href=\"http:\/\/home.kpn.nl\/legro\/\">Onderhorst Kabinetorgel in Bennekom<\/a>. I did not use the extension, so it could be played like this on the real organ.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/03\/Kittel-Fuga-1.pdf\" data-kccpid=\"5312\">Kittel, Fuga a 3 voce, G Dur<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/6C7tNq-50vc\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 13<\/p>","protected":false},"excerpt":{"rendered":"<p>Manuscript Mus ms Bach P287, owned by the Staatbibliothek zu Berlin, contains 6 keyboard fugues by Johann Christian Kittel. They are amongst the first works I transcribed, back in 2014, practising my engraving software and trying out different layouts for my scores. I never published them, because they were to difficult for me to play, and I didn&#8217;t have a suitable sample set for small scale works like these. The new sample set of the OInderhorst Kabinet organ in Bennekom, produced by Legro (palindrom of &#8216;orgel&#8217;, the Dutch word for organ) is ideal for these works. So it&#8217;s time to finally publish these 6 fugues. In these fugues Kittel show himself to be an able contrapuntician. The fugues are a bit stiff, yet are very nice to play. I had a fun day recording these 6 fugues. The recording was done with the sampleset of the Onderhorst Kabinetorgel in Bennekom. I did not use the extension, so it could be played like this on the real organ. Score Kittel, Fuga a 3 voce, G Dur Performance Views: 13<\/p>\n","protected":false},"author":1,"featured_media":5311,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,7],"tags":[],"class_list":["post-5312","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kittel-johann-christian","category-scores","genre-fuga"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/03\/Kittel-Fuga-1-preview.png?fit=1110%2C708&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1nG","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=5312"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5312\/revisions"}],"predecessor-version":[{"id":10249,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5312\/revisions\/10249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/5311"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=5312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=5312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=5312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}