{"id":5329,"date":"2018-03-29T21:07:49","date_gmt":"2018-03-29T19:07:49","guid":{"rendered":"http:\/\/partitura.org\/?p=5329"},"modified":"2022-02-28T22:23:16","modified_gmt":"2022-02-28T20:23:16","slug":"wilhelm-karges-f-s-fuga-d-moll","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/wilhelm-karges-f-s-fuga-d-moll\/","title":{"rendered":"Johann Jakob Froberger, Fuga, d moll (FbWV 416)"},"content":{"rendered":"<p>Update, 27 december 2018: This fugue turns out to have been composed by Johann Jacob Froberger. The letters &#8220;F.S.&#8221; are either an misattribution, they stand for something like &#8220;Froberger Scripsit&#8221; (Froberger has written), or they mean something else entirely. <\/p>\n<p>Manuscript Am B 340 contains two fugues, that have the initials &#8220;F.S&#8221; written beneath the title. Presumably those are the initials of the original composer of this fugue. Alas, I have no idea who these initials belong to. The first fugue is available <a href=\"https:\/\/partitura.org\/index.php\/wilhelm-karges-f-s-fuga\/\">here<\/a>. The second fugue is equally beautiful. A chromatic ascending theme leads in the course of the fugue to lots of tantalizing suspensions. I hope to find out one day who this &#8220;F.S.&#8221; was.<\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/03\/Karges-FS-p0018-Fuga.pdf\" data-kccpid=\"5329\">Froberger, Fuga d moll (FbWV 416)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/KngkK4_BsoY\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 41<\/p>","protected":false},"excerpt":{"rendered":"<p>Update, 27 december 2018: This fugue turns out to have been composed by Johann Jacob Froberger. The letters &#8220;F.S.&#8221; are either an misattribution, they stand for something like &#8220;Froberger Scripsit&#8221; (Froberger has written), or they mean something else entirely. Manuscript Am B 340 contains two fugues, that have the initials &#8220;F.S&#8221; written beneath the title. Presumably those are the initials of the original composer of this fugue. Alas, I have no idea who these initials belong to. The first fugue is available here. The second fugue is equally beautiful. A chromatic ascending theme leads in the course of the fugue to lots of tantalizing suspensions. I hope to find out one day who this &#8220;F.S.&#8221; was. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Score Froberger, Fuga d moll (FbWV 416) Performance Views: 41<\/p>\n","protected":false},"author":1,"featured_media":5332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[283,82,7],"tags":[],"class_list":["post-5329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-froberger-johann-jacob","category-karges-wilhelm","category-scores","genre-fuga"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/03\/Karges-FS-p0018-Fuga-preview.jpg?fit=1009%2C645&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1nX","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=5329"}],"version-history":[{"count":6,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5329\/revisions"}],"predecessor-version":[{"id":10229,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5329\/revisions\/10229"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/5332"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=5329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=5329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=5329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}