{"id":6360,"date":"2018-07-02T21:42:38","date_gmt":"2018-07-02T19:42:38","guid":{"rendered":"http:\/\/partitura.org\/?p=6360"},"modified":"2021-02-27T16:54:30","modified_gmt":"2021-02-27T14:54:30","slug":"georg-friedrich-kauffmann-erschienen-ist-der-herrliche-tag","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-erschienen-ist-der-herrliche-tag\/","title":{"rendered":"Georg Friedrich Kauffmann, Erschienen ist der herrliche Tag"},"content":{"rendered":"<p>Kauffmann&#8217;s chorale prelude to &#8220;Erschienen ist der herrliche Tag&#8221; is a fugato play between the first two phrases of the chorale melody.  Kauffmann notates it on two staves with no indication of a pedal registration. Yet I thought it fitting to play the two lowest occurences of the chorale melody wqith the pedals. Just to give it an extra punch. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\"  href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/07\/Kauffmann-79-Erschienen-ist-der-herrliche-Tag.pdf\"data-kccpid=\"6360\">Kauffmann, Erschienen ist der herrliche Tag<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/o-nWMJ84n_Q\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 95<\/p>","protected":false},"excerpt":{"rendered":"<p>Kauffmann&#8217;s chorale prelude to &#8220;Erschienen ist der herrliche Tag&#8221; is a fugato play between the first two phrases of the chorale melody. Kauffmann notates it on two staves with no indication of a pedal registration. Yet I thought it fitting to play the two lowest occurences of the chorale melody wqith the pedals. Just to give it an extra punch. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Kauffmann, Erschienen ist der herrliche Tag Performance Views: 95<\/p>\n","protected":false},"author":1,"featured_media":6362,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-6360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-erschienen-ist-der-herrlich-tag"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/07\/Kauffmann-79-Erschienen-ist-der-herrliche-Tag.png?fit=961%2C618&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1EA","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=6360"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6360\/revisions"}],"predecessor-version":[{"id":9341,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6360\/revisions\/9341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/6362"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=6360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=6360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=6360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}