{"id":6377,"date":"2018-07-10T21:16:12","date_gmt":"2018-07-10T19:16:12","guid":{"rendered":"http:\/\/partitura.org\/?p=6377"},"modified":"2021-02-27T16:49:40","modified_gmt":"2021-02-27T14:49:40","slug":"georg-friedrich-kauffmann-du-o-schones-weltgebaude","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-du-o-schones-weltgebaude\/","title":{"rendered":"Georg Friedrich Kauffmann, Du o sch\u00f6nes Weltgeb\u00e4ude"},"content":{"rendered":"<p>Kauffmann&#8217;s \u201cHarmonische Seelenlust\u201d contains six chorale preludes for the combination of organ and oboe. The oboe plays the chorale melody, while the organ plays and accompanying Trio. This prelude to &#8220;Du, o csch\u00f6nes Weltgeb\u00e4ude&#8221; is the sixth and last of these works. Again, Kauffmann shows his talent for intricate trio writing. The motive introduced in the first bar in the right hand part is the main building block of the piece. It is present in almost every bar in one of the accompanying voices. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. The recording is not really live of course. I first played the organ part. After that I played the oboe part and had to mix both recordings. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/07\/Kauffmann-84-Du-o-schones-Weltgebaude.pdf\"data-kccpid=\"6377\">Kauffmann, Du, o schones Weltgebaude<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/J1QDSQ8N_aY\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 4<\/p>","protected":false},"excerpt":{"rendered":"<p>Kauffmann&#8217;s \u201cHarmonische Seelenlust\u201d contains six chorale preludes for the combination of organ and oboe. The oboe plays the chorale melody, while the organ plays and accompanying Trio. This prelude to &#8220;Du, o csch\u00f6nes Weltgeb\u00e4ude&#8221; is the sixth and last of these works. Again, Kauffmann shows his talent for intricate trio writing. The motive introduced in the first bar in the right hand part is the main building block of the piece. It is present in almost every bar in one of the accompanying voices. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. The recording is not really live of course. I first played the organ part. After that I played the oboe part and had to mix both recordings. Score Kauffmann, Du, o schones Weltgebaude Performance Views: 4<\/p>\n","protected":false},"author":1,"featured_media":6380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-6377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-du-o-schones-welt-gebaude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/07\/Kauffmann-84-Du-o-schones-Weltgebaude.png?fit=937%2C597&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1ER","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=6377"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6377\/revisions"}],"predecessor-version":[{"id":9338,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6377\/revisions\/9338"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/6380"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=6377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=6377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=6377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}