{"id":6397,"date":"2018-07-14T08:17:41","date_gmt":"2018-07-14T06:17:41","guid":{"rendered":"http:\/\/partitura.org\/?p=6397"},"modified":"2021-02-27T16:43:30","modified_gmt":"2021-02-27T14:43:30","slug":"georg-friedrich-kauffmann-war-gott-nicht-mit-uns-dieser-zeit","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-war-gott-nicht-mit-uns-dieser-zeit\/","title":{"rendered":"Georg Friedrich Kauffmann, W\u00e4r Gott nicht mit uns dieser Zeit"},"content":{"rendered":"<p>Kauffmann&#8217;s prelude to &#8220;W\u00e4r Gott nicht mit uns dieser Zeit&#8221; is written like a Trio for organ, with the choral melody as bass voice. The other two voice introduce each phrase of the choral melody with short imitations. To my ears the character of the piece is far more intimate than the prelude to &#8220;Nun lasst uns Gott den Herren&#8221;, published two days ago. The registration was chosen accordingly.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/07\/Kauffmann-91-War-Gott-nicht-mit-uns-diese-Zeit.pdf\"data-kccpid=\"6397\">Kauffmann, War Gott nicht mit uns diese Zeit<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/j5odylfBTWA\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 10<\/p>","protected":false},"excerpt":{"rendered":"<p>Kauffmann&#8217;s prelude to &#8220;W\u00e4r Gott nicht mit uns dieser Zeit&#8221; is written like a Trio for organ, with the choral melody as bass voice. The other two voice introduce each phrase of the choral melody with short imitations. To my ears the character of the piece is far more intimate than the prelude to &#8220;Nun lasst uns Gott den Herren&#8221;, published two days ago. The registration was chosen accordingly. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Kauffmann, War Gott nicht mit uns diese Zeit Performance Views: 10<\/p>\n","protected":false},"author":1,"featured_media":6396,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-6397","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-war-gott-nicht-mit-uns-dieser-zeit"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/07\/Kauffmann-91-W%C3%A4r-Gott-nicht-mit-uns-dieser-Zeit.png?fit=949%2C610&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1Fb","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=6397"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6397\/revisions"}],"predecessor-version":[{"id":9335,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6397\/revisions\/9335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/6396"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=6397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=6397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=6397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}