{"id":6451,"date":"2018-07-21T17:13:32","date_gmt":"2018-07-21T15:13:32","guid":{"rendered":"http:\/\/partitura.org\/?p=6451"},"modified":"2021-02-27T15:57:38","modified_gmt":"2021-02-27T13:57:38","slug":"johann-gottfried-walther-wir-christenleut","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-gottfried-walther-wir-christenleut\/","title":{"rendered":"Johann Gottfried Walther, Wir Christenleut"},"content":{"rendered":"<p>The last piece in Kauffmann&#8217;s &#8220;Harmonische Seelenlust&#8221; is actually composed by Johann Gottfried Walther. Kauffmann died before he could complete the entire collection. That&#8217;s perhaps the reason why his wife included four works not by Kauffmann&#8217;s hand. So, to finish the transcription, recording and publication of all chorale preludes by Kauffmann, I play a work by Walther. It is a cleverly constructed piece. The chorale melody is played with the pedals, accompanied by two voices in strict canon. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/07\/Walther-96-Wir-Christenleut.pdf\" data-kccpid=\"6451\">Walther, Wir Christenleut<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/8Pygyq7Zn1c\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 14<\/p>","protected":false},"excerpt":{"rendered":"<p>The last piece in Kauffmann&#8217;s &#8220;Harmonische Seelenlust&#8221; is actually composed by Johann Gottfried Walther. Kauffmann died before he could complete the entire collection. That&#8217;s perhaps the reason why his wife included four works not by Kauffmann&#8217;s hand. So, to finish the transcription, recording and publication of all chorale preludes by Kauffmann, I play a work by Walther. It is a cleverly constructed piece. The chorale melody is played with the pedals, accompanied by two voices in strict canon. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Walther, Wir Christenleut Performance Views: 14<\/p>\n","protected":false},"author":1,"featured_media":6455,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,40],"tags":[],"class_list":["post-6451","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-walther-johann-gottfried","genre-choral-prelude","genre-wir-christenleut"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/07\/Walther-96-Wir-Christenleut.png?fit=942%2C611&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1G3","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=6451"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6451\/revisions"}],"predecessor-version":[{"id":9315,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6451\/revisions\/9315"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/6455"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=6451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=6451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=6451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}