{"id":6466,"date":"2018-09-14T16:30:16","date_gmt":"2018-09-14T14:30:16","guid":{"rendered":"http:\/\/partitura.org\/?p=6466"},"modified":"2021-02-27T15:41:42","modified_gmt":"2021-02-27T13:41:42","slug":"johann-michael-bach-kommt-her-zu-mir-spricht-gottes-sohn","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-michael-bach-kommt-her-zu-mir-spricht-gottes-sohn\/","title":{"rendered":"Johann Michael Bach, Kommt her zu mir, spricht Gottes Sohn"},"content":{"rendered":"<p>Bach&#8217;s chorale prelude to &#8220;Kommt her zu mir spricht Gottes Sohn&#8221; is not only present in the Neumeister Sammlung, but is present in Mus. Ms. 30439 as well. I published the version from that last source <a href=\"https:\/\/partitura.org\/index.php\/johann-michael-bach-kommt-zu-mir-spricht-gottes-sohn\/\">two years ago<\/a> and it is (of course) present in the <a href=\"https:\/\/partitura.org\/index.php\/choral-preludes-from-mus-ms-30439\/\">Edition based on that manuscript<\/a>. The version in Neumeister&#8217;s manuscript differs is several little details from the version in Mus Ms 30439. Enough, in my opinion to make a seperate score from it. The differences between the two version can be an inspiration for the performance of all these chorale preludes from Baroque Germany: the notes are probably more an invitation to add one&#8217;s own variations while playing them than an instruction to play the notes exactly as written.  <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/08\/Bach-Komt-her-zu-mir-spricht-Gotte-Sohn.pdf\" data-kccpid=\"6466\">Bach, Komt her zu mir, spricht Gotte Sohn<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5S2f-jeVYdo\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 24<\/p>","protected":false},"excerpt":{"rendered":"<p>Bach&#8217;s chorale prelude to &#8220;Kommt her zu mir spricht Gottes Sohn&#8221; is not only present in the Neumeister Sammlung, but is present in Mus. Ms. 30439 as well. I published the version from that last source two years ago and it is (of course) present in the Edition based on that manuscript. The version in Neumeister&#8217;s manuscript differs is several little details from the version in Mus Ms 30439. Enough, in my opinion to make a seperate score from it. The differences between the two version can be an inspiration for the performance of all these chorale preludes from Baroque Germany: the notes are probably more an invitation to add one&#8217;s own variations while playing them than an instruction to play the notes exactly as written. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Bach, Komt her zu mir, spricht Gotte Sohn Performance Views: 24<\/p>\n","protected":false},"author":1,"featured_media":6477,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[32,7],"tags":[],"class_list":["post-6466","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bach-johann-michael","category-scores","genre-choral-prelude","genre-kommt-her-zu-mir-spricht-gottes-sohn"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/08\/Bach-Kommt-her-zu-mir-spricht-Gottes-Sohn.png?fit=888%2C575&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1Gi","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=6466"}],"version-history":[{"count":6,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6466\/revisions"}],"predecessor-version":[{"id":9305,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6466\/revisions\/9305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/6477"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=6466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=6466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=6466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}