{"id":6639,"date":"2018-10-02T21:52:13","date_gmt":"2018-10-02T19:52:13","guid":{"rendered":"http:\/\/partitura.org\/?p=6639"},"modified":"2021-02-27T15:28:44","modified_gmt":"2021-02-27T13:28:44","slug":"johann-michael-bach-wo-gott-der-herr-nicht-bei-uns-halt","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-michael-bach-wo-gott-der-herr-nicht-bei-uns-halt\/","title":{"rendered":"Johann Michael Bach, Wo Gott der Herr nicht bei uns h\u00e4lt"},"content":{"rendered":"<p>Neumeister&#8217;s transcription of Bach&#8217;s prelude to &#8220;Wo Gott der Herr nicht bei uns h\u00e4lt&#8221; contains surprisingly few errors. Perhaps because it is a piece with just three parts? Bach wrote a nice piece, with the chorale melody in the soprano voice. The accompanying two voices start of with the first phrase of the chorale melody, after that they have little relation with the melody. <\/p>\n<p>The recording was done with the sample set of the Silbermann organ of the <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=8\">Stadtkirche Z\u00f6blitz<\/a> by Prospectum.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/10\/BachWo-Gott-der-Herr-nicht-bei-uns-halt.pdf\"data-kccpid=\"6639\">Bach, Wo Gott der Herr nicht bei uns h\u00e4lt<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/_c87SZ97M90\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 18<\/p>","protected":false},"excerpt":{"rendered":"<p>Neumeister&#8217;s transcription of Bach&#8217;s prelude to &#8220;Wo Gott der Herr nicht bei uns h\u00e4lt&#8221; contains surprisingly few errors. Perhaps because it is a piece with just three parts? Bach wrote a nice piece, with the chorale melody in the soprano voice. The accompanying two voices start of with the first phrase of the chorale melody, after that they have little relation with the melody. The recording was done with the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by Prospectum. Score Bach, Wo Gott der Herr nicht bei uns h\u00e4lt Performance Views: 18<\/p>\n","protected":false},"author":1,"featured_media":6640,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[32,7],"tags":[],"class_list":["post-6639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bach-johann-michael","category-scores","genre-choral-prelude","genre-wo-gott-der-herr-nicht-bei-uns-halt"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/10\/Bach-Wo-Gott-der-Herr-preview.png?fit=968%2C616&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1J5","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=6639"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6639\/revisions"}],"predecessor-version":[{"id":9297,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6639\/revisions\/9297"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/6640"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=6639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=6639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=6639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}