{"id":6910,"date":"2018-12-06T21:44:31","date_gmt":"2018-12-06T19:44:31","guid":{"rendered":"http:\/\/partitura.org\/?p=6910"},"modified":"2021-02-27T14:55:17","modified_gmt":"2021-02-27T12:55:17","slug":"johann-pachelbel-herr-christ-der-einig-gottes-sohn-2","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-pachelbel-herr-christ-der-einig-gottes-sohn-2\/","title":{"rendered":"Johann Pachelbel, Herr Christ, der einig Gottes Sohn"},"content":{"rendered":"<p>Pachelbel&#8217;s prelude to &#8220;Herr Christ, der einig Gottes Sohn&#8221; has the choral melody in the bass. The upper two voices play a free, fast moving accompaniment, with short segments of fore imitation. There is another prelude by Pachelbel based on the same choral melody that has a similar setup (available here as well) for the second half of that piece (the first half consists of a fugue on the first fragment of the choral melody). The figurations are however very different. It&#8217;s intruiging to note that although the compositional technique is similar, the result is very different. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/12\/Pachelbel-Herr-Christ-der-einig-Gottes-Sohn.pdf\"data-kccpid=\"6910\">Pachelbel, Herr Christ, der einig Gottes Sohn<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/iUiPNkx52HU\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 46<\/p>","protected":false},"excerpt":{"rendered":"<p>Pachelbel&#8217;s prelude to &#8220;Herr Christ, der einig Gottes Sohn&#8221; has the choral melody in the bass. The upper two voices play a free, fast moving accompaniment, with short segments of fore imitation. There is another prelude by Pachelbel based on the same choral melody that has a similar setup (available here as well) for the second half of that piece (the first half consists of a fugue on the first fragment of the choral melody). The figurations are however very different. It&#8217;s intruiging to note that although the compositional technique is similar, the result is very different. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Pachelbel, Herr Christ, der einig Gottes Sohn Performance Views: 46<\/p>\n","protected":false},"author":1,"featured_media":6911,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[58,7],"tags":[],"class_list":["post-6910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pachelbel-johan","category-scores","genre-choral-prelude","genre-herr-christ-der-einig-gottes-sohn"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/12\/Pachelbel-Herr-Christ-der-einig-Gottes-Sohn.png?fit=861%2C552&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1Ns","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=6910"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6910\/revisions"}],"predecessor-version":[{"id":9278,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6910\/revisions\/9278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/6911"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=6910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=6910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=6910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}