{"id":6942,"date":"2018-12-10T21:52:17","date_gmt":"2018-12-10T19:52:17","guid":{"rendered":"http:\/\/partitura.org\/?p=6942"},"modified":"2021-02-27T13:20:43","modified_gmt":"2021-02-27T11:20:43","slug":"johann-heinrich-buttstett-nun-freut-euch-lieben-christen-gemein","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-heinrich-buttstett-nun-freut-euch-lieben-christen-gemein\/","title":{"rendered":"Johann Heinrich Buttstett, Nun freut euch, lieben Christen gemein"},"content":{"rendered":"<p>After yesterday&#8217;s prelude that was possibly written by Johann Heinrich Buttstett, follows today a prelude that was definitely written by Buttstett. The general idea is the same: choral melody in the bass voice and two freely moving voices as accompaniment. Nevertheless, it is a very different piece in texture and feel. Probably because of the compound meter 12\/8.<\/p>\n<p>The recording was done with the sample set of the Silbermann organ of the <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=8\">Stadtkirche Z\u00f6blitz<\/a> by Prospectum.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/12\/Buttstett-Nun-freut-euch-lieben-Christen-gemein.pdf\"data-kccpid=\"6942\">Buttstett, Nun freut euch lieben Christen gemein<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/G2Mghv8ATek\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 18<\/p>","protected":false},"excerpt":{"rendered":"<p>After yesterday&#8217;s prelude that was possibly written by Johann Heinrich Buttstett, follows today a prelude that was definitely written by Buttstett. The general idea is the same: choral melody in the bass voice and two freely moving voices as accompaniment. Nevertheless, it is a very different piece in texture and feel. Probably because of the compound meter 12\/8. The recording was done with the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by Prospectum. Score Buttstett, Nun freut euch lieben Christen gemein Performance Views: 18<\/p>\n","protected":false},"author":1,"featured_media":6944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12,7],"tags":[],"class_list":["post-6942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buttstett-johann-heinrich","category-scores","genre-choral-prelude","genre-nun-freut-euch-gottes-kinder-all"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/12\/Buttstett-Nun-freut-euch.png?fit=818%2C532&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1NY","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=6942"}],"version-history":[{"count":6,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6942\/revisions"}],"predecessor-version":[{"id":9272,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/6942\/revisions\/9272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/6944"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=6942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=6942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=6942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}