{"id":7128,"date":"2019-01-18T23:07:04","date_gmt":"2019-01-18T21:07:04","guid":{"rendered":"http:\/\/partitura.org\/?p=7128"},"modified":"2021-03-01T17:14:28","modified_gmt":"2021-03-01T15:14:28","slug":"ernst-friedrich-richter-praludium-und-fuge-a-moll","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/ernst-friedrich-richter-praludium-und-fuge-a-moll\/","title":{"rendered":"Ernst Friedrich Richter, Pr\u00e4ludium und Fuge, a moll"},"content":{"rendered":"<p>The prelude of this work is a beautifull, Mendelsohn-like, piece. It is not unlike the third part of Mendelsohn&#8217;s fourth Sonata, even if that piece is in F major and this one in a minor. The left hand plays the melody of the chorale &#8220;Warum betr\u00fcbst du dich, mein Herz&#8221;, while the right hand provides a two part accompaniment. It is a beautifull, bittersweet piece. The fugue is based on a modulating theme that leads to a very chromatic piece, without it being too obvious. All in all a nice example of Richter&#8217;s craftmanship in counterpoint and composition.  <\/p>\n<p>The recording was done on the sample set of the Van Dam organ (1832) in Tholen by <a href=\"https:\/\/www.voxusorgans.com\/en\/product\/tholen\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/01\/Richter-Preludium-un-d-Fuge-a-moll.pdf\"data-kccpid=\"7128\">Richter, Preludium un d Fuge, a moll<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/tdjP-5z80sk \"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 29<\/p>","protected":false},"excerpt":{"rendered":"<p>The prelude of this work is a beautifull, Mendelsohn-like, piece. It is not unlike the third part of Mendelsohn&#8217;s fourth Sonata, even if that piece is in F major and this one in a minor. The left hand plays the melody of the chorale &#8220;Warum betr\u00fcbst du dich, mein Herz&#8221;, while the right hand provides a two part accompaniment. It is a beautifull, bittersweet piece. The fugue is based on a modulating theme that leads to a very chromatic piece, without it being too obvious. All in all a nice example of Richter&#8217;s craftmanship in counterpoint and composition. The recording was done on the sample set of the Van Dam organ (1832) in Tholen by Voxus Organs for Hauptwerk. Score Richter, Preludium un d Fuge, a moll Performance Views: 29<\/p>\n","protected":false},"author":1,"featured_media":7130,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[66,7],"tags":[],"class_list":["post-7128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-richter-friedrich-ernst","category-scores","genre-choral-prelude","genre-fuga","genre-prelude","genre-warum-beubst-du-dich-mein-herz"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/01\/Richter-PF-a-moll-preview.png?fit=913%2C591&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1QY","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7128"}],"version-history":[{"count":7,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7128\/revisions"}],"predecessor-version":[{"id":9676,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7128\/revisions\/9676"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7130"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}