{"id":7169,"date":"2019-02-06T21:59:15","date_gmt":"2019-02-06T19:59:15","guid":{"rendered":"http:\/\/partitura.org\/?p=7169"},"modified":"2021-02-27T12:55:27","modified_gmt":"2021-02-27T10:55:27","slug":"fortunato-chelleri-fuga-3","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/fortunato-chelleri-fuga-3\/","title":{"rendered":"Fortunato Chelleri, Fuga 3"},"content":{"rendered":"<p>Fortunato Chelleri (1690 -1757) was an Italian Baroque composer. From his hand is a small bundle of 6 Fughe per il organo, composed around 1725. They are works that forshadow the galant and even the classical period. Each of the fugues starts as a 4 part piece and each of the fugues each of the 6 fugues abandons the strict 4 part counterpoint immiadetely after or even during the exposition. The third fugue is one of the two with a minor tonality. The fugue theme has an ambitus of more than one and a half octave. Quite an accomplishment to create such a pleasant fugue with such a difficult theme. <\/p>\n<p>The recording was done with the sampleset, made by Sonus Paradis, of the <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/major-european-schools\/rotterdam-laurenskerk-transept-organ-a.html\">Transept organ in the Laurenskerk, Rotterdam<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/02\/Chelleri-Fuga-3.pdf\" data-kccpid=\"7169\">Chelleri, Fuga 3<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/xGMtlKF_f_E\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 22<\/p>","protected":false},"excerpt":{"rendered":"<p>Fortunato Chelleri (1690 -1757) was an Italian Baroque composer. From his hand is a small bundle of 6 Fughe per il organo, composed around 1725. They are works that forshadow the galant and even the classical period. Each of the fugues starts as a 4 part piece and each of the fugues each of the 6 fugues abandons the strict 4 part counterpoint immiadetely after or even during the exposition. The third fugue is one of the two with a minor tonality. The fugue theme has an ambitus of more than one and a half octave. Quite an accomplishment to create such a pleasant fugue with such a difficult theme. The recording was done with the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam. Score Chelleri, Fuga 3 Performance Views: 22<\/p>\n","protected":false},"author":1,"featured_media":7171,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[284,7],"tags":[],"class_list":["post-7169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chelleri-fortunato","category-scores","genre-fuga"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/02\/Chelleri-Fuga-3.png?fit=922%2C589&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1RD","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7169"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7169\/revisions"}],"predecessor-version":[{"id":9260,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7169\/revisions\/9260"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7171"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}