{"id":7183,"date":"2019-02-09T18:30:00","date_gmt":"2019-02-09T16:30:00","guid":{"rendered":"http:\/\/partitura.org\/?p=7183"},"modified":"2021-02-27T12:53:46","modified_gmt":"2021-02-27T10:53:46","slug":"fortunato-chelleri-fuga-4","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/fortunato-chelleri-fuga-4\/","title":{"rendered":"Fortunato Chelleri, Fuga 4"},"content":{"rendered":"<p>Fortunato Chelleri (1690 -1757) was an Italian Baroque composer. From his hand is a small bundle of 6 Fughe per il organo, composed around 1725. They are works that forshadow the galant and even the classical period. Each of the fugues starts as a 4 part piece and each of the fugues each of the 6 fugues abandons the strict 4 part counterpoint immiadetely after or even during the exposition. The fourth fugue is the second of the two with a minor tonality. It has a chromatic theme which leads to a very serious mood in the first third of the fugue. Then Chelleri&#8217;s sunny disposition breaks through and the music gets a very uplifting character. However, Chelleri ends the fugue in the mood of the theme with a long pedal point and poignant chords. Again a very nice fugue, taht lends itself very well for a short interludium during service. <\/p>\n<p>The recording was done on the sample set of the Johann Cyriacus Werner organ  M\u00fcller-organ in the Pfarrkirchin Strassburg, by <a href=\"http:\/\/www.piotrgrabowski.pl\/strassburg.html\">Piotr Gabrowsky<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/02\/Chelleri-Fuga-4.pdf\" data-kccpid=\"7183\">Chelleri, Fuga 4<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/8GF9R24G7As\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 15<\/p>","protected":false},"excerpt":{"rendered":"<p>Fortunato Chelleri (1690 -1757) was an Italian Baroque composer. From his hand is a small bundle of 6 Fughe per il organo, composed around 1725. They are works that forshadow the galant and even the classical period. Each of the fugues starts as a 4 part piece and each of the fugues each of the 6 fugues abandons the strict 4 part counterpoint immiadetely after or even during the exposition. The fourth fugue is the second of the two with a minor tonality. It has a chromatic theme which leads to a very serious mood in the first third of the fugue. Then Chelleri&#8217;s sunny disposition breaks through and the music gets a very uplifting character. However, Chelleri ends the fugue in the mood of the theme with a long pedal point and poignant chords. Again a very nice fugue, taht lends itself very well for a short interludium during service. The recording was done on the sample set of the Johann Cyriacus Werner organ M\u00fcller-organ in the Pfarrkirchin Strassburg, by Piotr Gabrowsky for Hauptwerk. Score Chelleri, Fuga 4 Performance Views: 15<\/p>\n","protected":false},"author":1,"featured_media":7184,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[284,7],"tags":[],"class_list":["post-7183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chelleri-fortunato","category-scores","genre-fuga"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/02\/Chelleri-Fuga-4.png?fit=916%2C588&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1RR","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7183"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7183\/revisions"}],"predecessor-version":[{"id":9259,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7183\/revisions\/9259"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7184"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}