{"id":7203,"date":"2019-02-13T21:27:23","date_gmt":"2019-02-13T19:27:23","guid":{"rendered":"http:\/\/partitura.org\/?p=7203"},"modified":"2020-01-26T18:41:34","modified_gmt":"2020-01-26T16:41:34","slug":"georg-wilhelm-saxer-praeludium-und-fuge-e-moll","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-wilhelm-saxer-praeludium-und-fuge-e-moll\/","title":{"rendered":"Georg Wilhelm Saxer, Praeludium und Fuge, e moll"},"content":{"rendered":"<p>Georg Wilhelm Saxer (? &#8211; 1740) was a German Baroque composer and organist. Not much of him is known. He was a pupil of Georg B\u00f6hm. In 1734 he was succesor of B\u00f6hm of the Sankt Johanniskirche in L\u00fcneburg. Before 1734 he was organist of the Lambertikirche in L\u00fcneburg. From 1737 until his death in 1740 Saxer was organist at the St. Jakobikirche in L\u00fcbeck.<br \/>\nThe Leipziger manuscript with signature Becker II.2.51 preserves three preludes and fugues by his hands, and two more anonymous preludes that are probably by his hand as well. The are very nice pieces in the style of the North German organ school. The first of these works is the prelude and fugue in e minor. The prelude is written in a brilliant stylus fantasticus. The fugue has a simple theme of two bars. It moves largely in stately quarter notes giving it a powerful drive. The piece ends with another flourish in the stylus fantasticus. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/02\/Saxer-Prelude-und-Fuge-e-moll.pdf\" data-kccpid=\"7203\">Saxer, Praeludium und Fuge, e moll<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/6nhq3zV4umZ0wRdgjUeLJx?si=Ui9K2xIURd2WcD4QOTS3Zg\" target=\"_blank\" rel=\"noopener\">Saxer, Praeludium und Fuge, e moll<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6nhq3zV4umZ0wRdgjUeLJx\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 53<\/p>","protected":false},"excerpt":{"rendered":"<p>Georg Wilhelm Saxer (? &#8211; 1740) was a German Baroque composer and organist. Not much of him is known. He was a pupil of Georg B\u00f6hm. In 1734 he was succesor of B\u00f6hm of the Sankt Johanniskirche in L\u00fcneburg. Before 1734 he was organist of the Lambertikirche in L\u00fcneburg. From 1737 until his death in 1740 Saxer was organist at the St. Jakobikirche in L\u00fcbeck. The Leipziger manuscript with signature Becker II.2.51 preserves three preludes and fugues by his hands, and two more anonymous preludes that are probably by his hand as well. The are very nice pieces in the style of the North German organ school. The first of these works is the prelude and fugue in e minor. The prelude is written in a brilliant stylus fantasticus. The fugue has a simple theme of two bars. It moves largely in stately quarter notes giving it a powerful drive. The piece ends with another flourish in the stylus fantasticus. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Saxer, Praeludium und Fuge, e moll Performance Saxer, Praeludium und Fuge, e moll Views: 53<\/p>\n","protected":false},"author":1,"featured_media":7211,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[287,7],"tags":[],"class_list":["post-7203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-saxer-georg-wilhelm","category-scores","genre-fuga","genre-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/02\/Saxer-PF-e-moll.png?fit=851%2C542&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1Sb","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7203"}],"version-history":[{"count":7,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7203\/revisions"}],"predecessor-version":[{"id":8639,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7203\/revisions\/8639"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7211"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}