{"id":7345,"date":"2019-03-10T18:30:47","date_gmt":"2019-03-10T16:30:47","guid":{"rendered":"http:\/\/partitura.org\/?p=7345"},"modified":"2020-09-05T08:47:47","modified_gmt":"2020-09-05T06:47:47","slug":"heinrich-scheidemann-praeludium-g-moll-wv-41","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/heinrich-scheidemann-praeludium-g-moll-wv-41\/","title":{"rendered":"Heinrich Scheidemann, Pr\u00e6ludium, g moll (WV 41)"},"content":{"rendered":"<p>The second Prelude by Heinrich Schedemann in the Lynar manuscript B3 is the prelude in g minor, WV 41. It is a bit longer than the e minor one (WV 38) from the same manuscript.  After an elongated introduction (the first 24 bars) a fugal section starts with a simple theme that is answered by itself in different positions in the theme. In bar 54 Scheidemann introduces a chromatic descending counter subject. In the final two bars Scheidemann return to the motif of the introduction. All in all, a quite well composed piece. <\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/03\/Scheidemann-Pr\u00e6ludium-G.pdf\"data-kccpid=\"7345\">Scheidemann, Pr\u00e6ludium (WV 41)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/2w2l0TycZxLJuzzB4IHlOF?si=oxtA3nZhR8-uHwGczd-ySQ\" target=\"_blank\" rel=\"noopener\">Scheidemann, Pr\u00e6ludium (WV 41)<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/2w2l0TycZxLJuzzB4IHlOF\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 29<\/p>","protected":false},"excerpt":{"rendered":"<p>The second Prelude by Heinrich Schedemann in the Lynar manuscript B3 is the prelude in g minor, WV 41. It is a bit longer than the e minor one (WV 38) from the same manuscript. After an elongated introduction (the first 24 bars) a fugal section starts with a simple theme that is answered by itself in different positions in the theme. In bar 54 Scheidemann introduces a chromatic descending counter subject. In the final two bars Scheidemann return to the motif of the introduction. All in all, a quite well composed piece. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Score Scheidemann, Pr\u00e6ludium (WV 41) Performance Scheidemann, Pr\u00e6ludium (WV 41) Views: 29<\/p>\n","protected":false},"author":1,"featured_media":7349,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[290,7],"tags":[],"class_list":["post-7345","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scheidemann-heinrich","category-scores","genre-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/03\/Scheidemann-Praeludium-WV41.png?fit=891%2C571&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1Ut","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7345"}],"version-history":[{"count":6,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7345\/revisions"}],"predecessor-version":[{"id":8986,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7345\/revisions\/8986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7349"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}