{"id":7459,"date":"2019-04-09T21:46:52","date_gmt":"2019-04-09T19:46:52","guid":{"rendered":"http:\/\/partitura.org\/?p=7459"},"modified":"2020-01-26T18:57:59","modified_gmt":"2020-01-26T16:57:59","slug":"georg-wilhelm-saxer-fuge-c-dur","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-wilhelm-saxer-fuge-c-dur\/","title":{"rendered":"Georg Wilhelm Saxer, Fuge, C Dur"},"content":{"rendered":"<p>The second fugue in the Leipziger manuscript with signature Becker II.2.51 without a named composer, that is nevertheless probably composed by Saxer, is a fugue in C major. It consists of three expositions. In ieach of these expositions the fugue theme is played 6 times in a row. The three expositions are joined by two short episodes. Like in the fugue in F major, the music does not venture outside the tonic and the dominant. It is nevertheless a lively fugue, too short to become boring. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/04\/Saxer-Fuga-C-Dur.pdf\"data-kccpid=\"7459\">Saxer, Fuga, C Dur<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/3rS0sSJqPPo6qlZSRM4Cxy?si=wrbmnoFxSSCG_AQzXu0ETg\" target=\"_blank\" rel=\"noopener\">Saxer, Fuge, C Dur<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/3rS0sSJqPPo6qlZSRM4Cxy\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 48<\/p>","protected":false},"excerpt":{"rendered":"<p>The second fugue in the Leipziger manuscript with signature Becker II.2.51 without a named composer, that is nevertheless probably composed by Saxer, is a fugue in C major. It consists of three expositions. In ieach of these expositions the fugue theme is played 6 times in a row. The three expositions are joined by two short episodes. Like in the fugue in F major, the music does not venture outside the tonic and the dominant. It is nevertheless a lively fugue, too short to become boring. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Saxer, Fuga, C Dur Performance Saxer, Fuge, C Dur Views: 48<\/p>\n","protected":false},"author":1,"featured_media":7461,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[287,7],"tags":[],"class_list":["post-7459","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-saxer-georg-wilhelm","category-scores","genre-fuga"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/04\/Saxer-Fuga-C-Dur.png?fit=851%2C552&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1Wj","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7459"}],"version-history":[{"count":6,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7459\/revisions"}],"predecessor-version":[{"id":8647,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7459\/revisions\/8647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7461"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}