{"id":746,"date":"2015-06-07T20:04:01","date_gmt":"2015-06-07T19:04:01","guid":{"rendered":"http:\/\/partitura.org\/?p=746"},"modified":"2018-06-15T20:21:54","modified_gmt":"2018-06-15T18:21:54","slug":"johann-christoph-oley-was-gott-tut-das-ist-wohlgetan","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-christoph-oley-was-gott-tut-das-ist-wohlgetan\/","title":{"rendered":"Johann Christoph Oley, Was Gott tut das ist wohlgetan"},"content":{"rendered":"<p>Johann Christoph Oley (1738 \u2013 1789) was a German organist and composer. In 1755 he became organist of the church in Bernburg, but moved to the church of St Stephan in neighbouring Aschersleben in January 1762 because of its superior organ. At least 77 works for organ solo by his hand survive. The most interesting combine his fondness for strict canon with passages in the more expressive style. Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu Berlin contains 25 of them. <\/p>\n<p>The recording was done the sampleset, made by Sonus Paradis, of the <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/major-european-schools\/rotterdam-laurenskerk-transept-organ-a.html\">Transept organ in the Laurenskerk, Rotterdam<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2015\/06\/Oley-Was-Gott-tut-dass-ist-wohlgetan.pdf\"data-kccpid=\"746\">Oley, Was Gott tut dass ist wohlgetan<\/a><\/p>\n<p><strong>MP3:<\/strong><br \/>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; padding:0px 0px 10px 0px; margin:0px; 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In 1755 he became organist of the church in Bernburg, but moved to the church of St Stephan in neighbouring Aschersleben in January 1762 because of its superior organ. At least 77 works for organ solo by his hand survive. The most interesting combine his fondness for strict canon with passages in the more expressive style. Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu Berlin contains 25 of them. The recording was done the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam. Score Oley, Was Gott tut dass ist wohlgetan MP3: Views: 14<\/p>\n","protected":false},"author":1,"featured_media":750,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25,7],"tags":[],"class_list":["post-746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oley-johann-christoph","category-scores","genre-choral-prelude","genre-was-gott-thut-dass-ist-wohl-gethan"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/06\/Oley_Was_Gott_tut.png?fit=860%2C486&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-c2","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=746"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/746\/revisions"}],"predecessor-version":[{"id":6274,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/746\/revisions\/6274"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/750"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}