{"id":7524,"date":"2019-05-05T20:29:39","date_gmt":"2019-05-05T18:29:39","guid":{"rendered":"http:\/\/partitura.org\/?p=7524"},"modified":"2021-03-01T17:10:01","modified_gmt":"2021-03-01T15:10:01","slug":"ernest-grosjean-offertoire-bref-2","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/ernest-grosjean-offertoire-bref-2\/","title":{"rendered":"Ernest Grosjean, Offertoire bref"},"content":{"rendered":"<p>Ernest Grosjean (1844 &#8211; 1936) published &#8220;Pi\u00e8ces pour orgue ou harmonium&#8221;, a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the use of pedals. The third piece in the section called &#8220;Pi\u00e8ces Fun\u00e8bres&#8221;, pieces intended to be used during funeral services, is a short Offertoire, aptly named offertoire bref. In a simple three part form (A &#8211; B &#8211; A)  and 6\/8 rythm, Grosjean paints a languish mood, with dark colours and subdued chromaticism. <\/p>\n<p>The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Stahlhuth\/Jahn organ in the <a href=\"https:\/\/www.voxusorgans.com\/en\/product\/dudelange\">St. Martin\u2019s church, Dudelange<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/05\/Grosjean-21-Offertoire.pdf\"data-kccpid=\"7524\">Grosjean, Offertoire<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/SHAUOnj7wVU\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 14<\/p>","protected":false},"excerpt":{"rendered":"<p>Ernest Grosjean (1844 &#8211; 1936) published &#8220;Pi\u00e8ces pour orgue ou harmonium&#8221;, a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the use of pedals. The third piece in the section called &#8220;Pi\u00e8ces Fun\u00e8bres&#8221;, pieces intended to be used during funeral services, is a short Offertoire, aptly named offertoire bref. In a simple three part form (A &#8211; B &#8211; A) and 6\/8 rythm, Grosjean paints a languish mood, with dark colours and subdued chromaticism. The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Stahlhuth\/Jahn organ in the St. Martin\u2019s church, Dudelange. Score Grosjean, Offertoire Performance Views: 14<\/p>\n","protected":false},"author":1,"featured_media":7527,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[83,7],"tags":[],"class_list":["post-7524","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-grosjean-ernest","category-scores","genre-offertoire"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/05\/Grosjean-21-Offertoire-bref.png?fit=976%2C629&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1Xm","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7524"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7524\/revisions"}],"predecessor-version":[{"id":9673,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7524\/revisions\/9673"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7527"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}