{"id":7563,"date":"2019-05-26T19:45:30","date_gmt":"2019-05-26T17:45:30","guid":{"rendered":"http:\/\/partitura.org\/?p=7563"},"modified":"2020-09-05T09:17:36","modified_gmt":"2020-09-05T07:17:36","slug":"anonymus-praeludium-secundi-toni-ms-lynar-b3-page-36","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/anonymus-praeludium-secundi-toni-ms-lynar-b3-page-36\/","title":{"rendered":"Anonymus, Praeludium secundi Toni (Ms Lynar B3, page 36)"},"content":{"rendered":"<p>This prelude is somewhat different from the other preludes from manuscript Ms Lynar B3 I published until now. It&#8217;s form does not consist of three seperate sections and there is no imitatory section. This one has a virtuosic solo voice, that is accompanied by the other voices in mostly longer notes. As the title says it should be performed on two different manuals, with (probably) a stronger registration for the right hand part. In my performance I play both hands on the same manual. I must admit that that was not a conscious decision: I just forgot to play on two manuals. <\/p>\n<p>The recording was done on the sampleset, made by Voxus, of the <a href=\"https:\/\/www.voxusorgans.com\/en\/product\/nijkerk\">Matthijs van Deventer-orgel<\/a> in the Grote Kerk, Hijkerk. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/05\/Anonymus-p036-Praeludium.pdf\" data-kccpid=\"7563\">Anonymus, Praeludium secundi Toni<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/6NjhJlEQlFOX6J5pYlL7Jl?si=yKMm02ygTM2BaXgOnNDtjg\" target=\"_blank\" rel=\"noopener\">Anonymus, Pr\u00e6ludium secundi Toni<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6NjhJlEQlFOX6J5pYlL7Jl\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 16<\/p>","protected":false},"excerpt":{"rendered":"<p>This prelude is somewhat different from the other preludes from manuscript Ms Lynar B3 I published until now. It&#8217;s form does not consist of three seperate sections and there is no imitatory section. This one has a virtuosic solo voice, that is accompanied by the other voices in mostly longer notes. As the title says it should be performed on two different manuals, with (probably) a stronger registration for the right hand part. In my performance I play both hands on the same manual. I must admit that that was not a conscious decision: I just forgot to play on two manuals. The recording was done on the sampleset, made by Voxus, of the Matthijs van Deventer-orgel in the Grote Kerk, Hijkerk. Score Anonymus, Praeludium secundi Toni Performance Anonymus, Pr\u00e6ludium secundi Toni Views: 16<\/p>\n","protected":false},"author":1,"featured_media":7562,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[292,7],"tags":[],"class_list":["post-7563","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anonymus-mus-ms-lynar-b3","category-scores","genre-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/05\/Anonymus-Praeludium-secundi-Toni.png?fit=927%2C590&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1XZ","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7563"}],"version-history":[{"count":6,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7563\/revisions"}],"predecessor-version":[{"id":9000,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7563\/revisions\/9000"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7562"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}