{"id":7613,"date":"2019-06-22T12:55:40","date_gmt":"2019-06-22T10:55:40","guid":{"rendered":"http:\/\/partitura.org\/?p=7613"},"modified":"2021-03-01T20:31:37","modified_gmt":"2021-03-01T18:31:37","slug":"anonymus-fuga-colorata","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/anonymus-fuga-colorata\/","title":{"rendered":"Anonymus, Fuga Colorata"},"content":{"rendered":"<p>Almost three years a go I created a publication containing all organ works by Simon Lohet (Loxhay) (c. 1550 \u2013 1611), a Flemish composer, possibly born in Maastricht.<br \/>\nThe primary source for Lohet\u2019s remaining known works is Johann Woltz\u2019s Nova musices organicae tabulatura (Basel, 1617). The bulk of Lohet&#8217;s small surviving output consists of twenty keyboard fugues, which are also his most historically important works. Besides the 20 fugues there are four more compositions contained in Woltz&#8217;s publication that explicitly name Lohet as the composer.<br \/>\nSo my &#8216;complete&#8217; edition of Lohet&#8217;s organ compositions contains these 20 fugues plus the four other works.<\/p>\n<p>On the contact page of my site, I received a comment, stating that the &#8216;Fuga Colorata&#8217;, a work that in Woltz&#8217;s publication follows the 24 compositions by Lohet, is also a work by Lohet. Meaning that my complete edition would not be complete after all.\u00a0 However, I cannot verify this claim. The internet (perhaps strangely) does not offer a lot of information on a specialized topic as this.\u00a0 Perhaps someone reading this page knows whether or not this Fuca Colorata, number 74 in the Third part of Woltz&#8217;s Nova musices organicae tabulatura (Basel, 1617), is a composition by Simon Lohet? Until I have a confimation of some sorts, I&#8217;ll consider this Fuga Colorata an anonymous work. The question itself is however a nice reason to transcribe this piece and publish it.<\/p>\n<p>For those interested, the edition of Lohet&#8217;s organ works can be found <a href=\"https:\/\/partitura.org\/index.php\/simon-lohet-surviving-organ-works\/\">here<\/a><\/p>\n<p>The recording was done on the sampleset, made by Voxus, of the <a href=\"https:\/\/www.voxusorgans.com\/en\/product\/nijkerk\">Matthijs van Deventer-orgel<\/a> in the Grote Kerk, Nijkerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/06\/Anon-Fuga-Colorata.pdf\"data-kccpid=\"7613\">Anonymus, Fuga Colorata<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/wqaL0xJHq4c\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 21<\/p>","protected":false},"excerpt":{"rendered":"<p>Almost three years a go I created a publication containing all organ works by Simon Lohet (Loxhay) (c. 1550 \u2013 1611), a Flemish composer, possibly born in Maastricht. The primary source for Lohet\u2019s remaining known works is Johann Woltz\u2019s Nova musices organicae tabulatura (Basel, 1617). The bulk of Lohet&#8217;s small surviving output consists of twenty keyboard fugues, which are also his most historically important works. Besides the 20 fugues there are four more compositions contained in Woltz&#8217;s publication that explicitly name Lohet as the composer. So my &#8216;complete&#8217; edition of Lohet&#8217;s organ compositions contains these 20 fugues plus the four other works. On the contact page of my site, I received a comment, stating that the &#8216;Fuga Colorata&#8217;, a work that in Woltz&#8217;s publication follows the 24 compositions by Lohet, is also a work by Lohet. Meaning that my complete edition would not be complete after all.\u00a0 However, I cannot verify this claim. The internet (perhaps strangely) does not offer a lot of information on a specialized topic as this.\u00a0 Perhaps someone reading this page knows whether or not this Fuca Colorata, number 74 in the Third part of Woltz&#8217;s Nova musices organicae tabulatura (Basel, 1617), is a composition by Simon Lohet? Until I have a confimation of some sorts, I&#8217;ll consider this Fuga Colorata an anonymous work. The question itself is however a nice reason to transcribe this piece and publish it. For those interested, the edition of Lohet&#8217;s organ works can be found here The recording was done on the sampleset, made by Voxus, of the Matthijs van Deventer-orgel in the Grote Kerk, Nijkerk. Score Anonymus, Fuga Colorata Performance Views: 21<\/p>\n","protected":false},"author":1,"featured_media":7615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[56,7],"tags":[],"class_list":["post-7613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anonymus","category-scores","genre-fuga"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/06\/Anonymus-Fuga-Colorata.png?fit=1013%2C649&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1YN","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7613"}],"version-history":[{"count":5,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7613\/revisions"}],"predecessor-version":[{"id":9713,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7613\/revisions\/9713"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7615"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7613"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}