{"id":7646,"date":"2019-07-01T20:55:05","date_gmt":"2019-07-01T18:55:05","guid":{"rendered":"http:\/\/partitura.org\/?p=7646"},"modified":"2021-03-01T20:30:44","modified_gmt":"2021-03-01T18:30:44","slug":"anonymus-nun-bitten-wir-den-heiligen-geist","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/anonymus-nun-bitten-wir-den-heiligen-geist\/","title":{"rendered":"Anonymus, Nun bitten wir den heiligen Geist"},"content":{"rendered":"<p>This is the third of the unedited anonymus choral preludes from manuscript KN 209, owned owned by the Ratsb\u00fccherei in L\u00fcneburg I have the privilige to publish. I is a relatively straightforward manualiter composition. No intricate motivic play in accompanying voices, or a cleverly embelished choral melody as solo voice. The composition follows the phrase structure of the choral melody, including the stops you&#8217;d make while singing the choral in church, to let the congregation breathe. Yet the composition shines in all it&#8217;s rhapsodic exuberance. It feels more like a celebtration of live, than a plea to the Holy Spirit. <\/p>\n<p>The recording was done on the sampleset, made by Voxus, of the <a href=\"https:\/\/www.voxusorgans.com\/en\/product\/nijkerk\">Matthijs van Deventer-orgel<\/a> in the Grote Kerk, Nijkerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/07\/Anonymus-KN-209-p067-Nun-bitten-wir-den-Heiligen-Geist.pdf\"data-kccpid=\"7646\">Anonymus, Nun bitten wir den heiligen Geist<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/VjYPDTKeQKo\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 18<\/p>","protected":false},"excerpt":{"rendered":"<p>This is the third of the unedited anonymus choral preludes from manuscript KN 209, owned owned by the Ratsb\u00fccherei in L\u00fcneburg I have the privilige to publish. I is a relatively straightforward manualiter composition. No intricate motivic play in accompanying voices, or a cleverly embelished choral melody as solo voice. The composition follows the phrase structure of the choral melody, including the stops you&#8217;d make while singing the choral in church, to let the congregation breathe. Yet the composition shines in all it&#8217;s rhapsodic exuberance. It feels more like a celebtration of live, than a plea to the Holy Spirit. The recording was done on the sampleset, made by Voxus, of the Matthijs van Deventer-orgel in the Grote Kerk, Nijkerk. Score Anonymus, Nun bitten wir den heiligen Geist Performance Views: 18<\/p>\n","protected":false},"author":1,"featured_media":7648,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[56,7],"tags":[],"class_list":["post-7646","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anonymus","category-scores","genre-choral-prelude","genre-nun-bitten-wir-den-heiligen-geist"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/07\/Anonymus-Nun-bitten-wir.png?fit=1022%2C659&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1Zk","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7646"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7646\/revisions"}],"predecessor-version":[{"id":9712,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7646\/revisions\/9712"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7648"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}