{"id":7789,"date":"2019-09-17T19:47:11","date_gmt":"2019-09-17T17:47:11","guid":{"rendered":"http:\/\/partitura.org\/?p=7789"},"modified":"2020-09-11T08:01:49","modified_gmt":"2020-09-11T06:01:49","slug":"anonymus-praeambulum-pedaliter","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/anonymus-praeambulum-pedaliter\/","title":{"rendered":"Anonymus, Pr\u00e6ambulum pedaliter"},"content":{"rendered":"<p>The next prelude in manuscript Ms Lynar B3 has again no initials, so there is no indication of who the composer could have been. The style is very different from the previous compositions, so it is probably not a composition by one of the D\u00fcben brothers. It is longer than some of the previous preludes. It has more the characteristic of a finished product than a model to base improvisations on. Imitative sections alternate with sequences. It is actually quite a nice piece to play. <\/p>\n<p>The recording was done on the sampleset, made by Voxus, of the <a href=\"https:\/\/www.voxusorgans.com\/en\/product\/nijkerk\">Matthijs van Deventer-orgel<\/a> in the Grote Kerk, Nijkerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/09\/Anonymus-p076-Praeludium-pedaliter.pdf\"data-kccpid=\"7789\">Anonymus,  Praeludium pedaliter<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/7yQlRgTihYo4Mo4eViyHxg?si=PA0SbR7EQwW2Y-yHYn-jmA\" target=\"_blank\" rel=\"noopener\">Anonymus,  Praeludium pedaliter<\/a><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/7yQlRgTihYo4Mo4eViyHxg\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 14<\/p>","protected":false},"excerpt":{"rendered":"<p>The next prelude in manuscript Ms Lynar B3 has again no initials, so there is no indication of who the composer could have been. The style is very different from the previous compositions, so it is probably not a composition by one of the D\u00fcben brothers. It is longer than some of the previous preludes. It has more the characteristic of a finished product than a model to base improvisations on. Imitative sections alternate with sequences. It is actually quite a nice piece to play. The recording was done on the sampleset, made by Voxus, of the Matthijs van Deventer-orgel in the Grote Kerk, Nijkerk. Score Anonymus, Praeludium pedaliter Performance Anonymus, Praeludium pedaliter Views: 14<\/p>\n","protected":false},"author":1,"featured_media":7791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[292,7],"tags":[],"class_list":["post-7789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anonymus-mus-ms-lynar-b3","category-scores","genre-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/09\/Anonymus-Praeambulum-p076.png?fit=1012%2C646&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-21D","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7789"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7789\/revisions"}],"predecessor-version":[{"id":9014,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7789\/revisions\/9014"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7791"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}