{"id":7804,"date":"2019-10-01T21:24:14","date_gmt":"2019-10-01T19:24:14","guid":{"rendered":"http:\/\/partitura.org\/?p=7804"},"modified":"2020-09-12T09:17:14","modified_gmt":"2020-09-12T07:17:14","slug":"anonymus-praeludium-pedaliter","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/anonymus-praeludium-pedaliter\/","title":{"rendered":"Anonymus, Pr\u00e6ludium pedaliter"},"content":{"rendered":"<p>Folio 34 of manuscript Ms Lynar B3 contains two compositions. Where the first (published two days ago) is a full fledged composition, the second is more a sketch. It could be meant as a model for improvisation of as a model for composition. Or perhaps it is no more than what is written: a few bars of music to establish a mode or a tonality. It certainly can be used as such. If you need something to fill up some time, and that&#8217;s not longer than a minute or so, well, here it is. <\/p>\n<p>The recording was done with the sample set of the Silbermann organ of the <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=8\">Stadtkirche Z\u00f6blitz<\/a> by Prospectum.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/10\/Anonymus-p078-Praeludium-pedaliter-2.pdf\"data-kccpid=\"7804\">Anonymus, Praeludium pedaliter<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/1665EsaDYxeq0jGQbrCG4C?si=M5UPhrPPSAi_9DAiesfN8A\" target=\"_blank\" rel=\"noopener\">Anonymus,  Praeludium pedaliter<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/1665EsaDYxeq0jGQbrCG4C\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 9<\/p>","protected":false},"excerpt":{"rendered":"<p>Folio 34 of manuscript Ms Lynar B3 contains two compositions. Where the first (published two days ago) is a full fledged composition, the second is more a sketch. It could be meant as a model for improvisation of as a model for composition. Or perhaps it is no more than what is written: a few bars of music to establish a mode or a tonality. It certainly can be used as such. If you need something to fill up some time, and that&#8217;s not longer than a minute or so, well, here it is. The recording was done with the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by Prospectum. Score Anonymus, Praeludium pedaliter Performance Anonymus, Praeludium pedaliter Views: 9<\/p>\n","protected":false},"author":1,"featured_media":7809,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[292,7],"tags":[],"class_list":["post-7804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anonymus-mus-ms-lynar-b3","category-scores","genre-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/10\/Anonymus-Praeambulum-p0078-2.png?fit=1027%2C654&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-21S","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=7804"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7804\/revisions"}],"predecessor-version":[{"id":9017,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/7804\/revisions\/9017"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/7809"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=7804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=7804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=7804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}