{"id":8123,"date":"2019-12-12T10:12:02","date_gmt":"2019-12-12T08:12:02","guid":{"rendered":"http:\/\/partitura.org\/?p=8123"},"modified":"2020-08-28T11:44:41","modified_gmt":"2020-08-28T09:44:41","slug":"rudolf-low-ich-dank-dir-schon-durch-deinen-sohn","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/rudolf-low-ich-dank-dir-schon-durch-deinen-sohn\/","title":{"rendered":"Rudolf L\u00f6w, Ich dank dir schon durch deinen Sohn"},"content":{"rendered":"<p>The S\u00e4chsische Landes- und Universit\u00e4tsbibliothek in Dresden posesses a manuscript of 12 organ compositions by the hand of Rudolf L\u00f6w (1832 &#8211; 1898), a Swiss organist and composer. It is his opus 1, which he dedicated to his teacher Carl Ferdinand Becker. <\/p>\n<p>The prelude to &#8220;Ich dank dir schon durch deinen Sohn&#8221; is the last of the three preludes suitable for the Christmas period. It is setup as a fughetta on the first phrase of the choral melody. As such, it is so thoroughly Baroque in conception and realisation, that I could not play it in any other manner than as a Baroque composition. <\/p>\n<p>The recording was done on the sampleset, made by Voxus, of the <a href=\"https:\/\/www.voxusorgans.com\/en\/product\/nijkerk\">Matthijs van Deventer-orgel<\/a> in the Grote Kerk, Nijkerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/12\/Low-Ich-dank-dir-schon-durch-deinen-Sohn.pdf\" data-kccpid=\"8123\">L\u00f6w, Ich dank dir schon durch deinen Sohn<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/3a6GWPa0S0gDB4F0lFlQVz?si=0Vi0Eh4cTEiaN1UTaFQjfg\" target=\"_blank\" rel=\"noopener\">L\u00f6w, Ich dank dir schon durch deinen Sohn<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/3a6GWPa0S0gDB4F0lFlQVz\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 7<\/p>","protected":false},"excerpt":{"rendered":"<p>The S\u00e4chsische Landes- und Universit\u00e4tsbibliothek in Dresden posesses a manuscript of 12 organ compositions by the hand of Rudolf L\u00f6w (1832 &#8211; 1898), a Swiss organist and composer. It is his opus 1, which he dedicated to his teacher Carl Ferdinand Becker. The prelude to &#8220;Ich dank dir schon durch deinen Sohn&#8221; is the last of the three preludes suitable for the Christmas period. It is setup as a fughetta on the first phrase of the choral melody. As such, it is so thoroughly Baroque in conception and realisation, that I could not play it in any other manner than as a Baroque composition. The recording was done on the sampleset, made by Voxus, of the Matthijs van Deventer-orgel in the Grote Kerk, Nijkerk. Score L\u00f6w, Ich dank dir schon durch deinen Sohn Performance L\u00f6w, Ich dank dir schon durch deinen Sohn Views: 7<\/p>\n","protected":false},"author":1,"featured_media":8126,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[309,7],"tags":[],"class_list":["post-8123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-low-rudolf","category-scores","genre-choral-prelude","genre-ich-dank-dir-schon"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/12\/L%C3%B6w-Ich-dank-dir-schon.png?fit=1009%2C648&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-271","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=8123"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8123\/revisions"}],"predecessor-version":[{"id":8973,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8123\/revisions\/8973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/8126"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=8123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=8123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=8123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}