{"id":8144,"date":"2019-12-16T21:19:20","date_gmt":"2019-12-16T19:19:20","guid":{"rendered":"http:\/\/partitura.org\/?p=8144"},"modified":"2020-08-28T11:40:15","modified_gmt":"2020-08-28T09:40:15","slug":"rudolf-low-an-wasserflussen-babylon","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/rudolf-low-an-wasserflussen-babylon\/","title":{"rendered":"Rudolf L\u00f6w, An Wasserfl\u00fcssen Babylon"},"content":{"rendered":"<p>The S\u00e4chsische Landes- und Universit\u00e4tsbibliothek in Dresden posesses a manuscript of 12 organ compositions by Rudolf L\u00f6w&#8217;s hand. It is his opus 1, which he dedicated to his teacher Carl Ferdinand Becker. <\/p>\n<p>The first of the compositions contained is this manuscript is a choral prelude to the choral &#8220;An Wasserfl\u00fcssen Babylon&#8221;. The piece start as the exposition of a fugue with the first phrase of the choral melody as the subject. After the fourth entry of the subject in the bass, the first to phrases of the choral melody are stated in the soprano voice. It is again a nice easy flowing piece of this Swiss composer. <\/p>\n<p>The recording was done on the sample set of the Van Dam organ (1832) in Tholen by <a href=\"https:\/\/www.voxusorgans.com\/en\/product\/tholen\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/12\/Low-An-Wasserflussen-Babylon.pdf\" data-kccpid=\"8144\">L\u00f6w, An Wasserflussen Babylon<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/1nrU0MYL7ZdlwQKiwysAiu?si=RHMXGgH-Qr-YaDRs9uWhaA\" target=\"_blank\" rel=\"noopener\">L\u00f6w, An Wasserflussen Babylon<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/1nrU0MYL7ZdlwQKiwysAiu\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 26<\/p>","protected":false},"excerpt":{"rendered":"<p>The S\u00e4chsische Landes- und Universit\u00e4tsbibliothek in Dresden posesses a manuscript of 12 organ compositions by Rudolf L\u00f6w&#8217;s hand. It is his opus 1, which he dedicated to his teacher Carl Ferdinand Becker. The first of the compositions contained is this manuscript is a choral prelude to the choral &#8220;An Wasserfl\u00fcssen Babylon&#8221;. The piece start as the exposition of a fugue with the first phrase of the choral melody as the subject. After the fourth entry of the subject in the bass, the first to phrases of the choral melody are stated in the soprano voice. It is again a nice easy flowing piece of this Swiss composer. The recording was done on the sample set of the Van Dam organ (1832) in Tholen by Voxus Organs for Hauptwerk. Score L\u00f6w, An Wasserflussen Babylon Performance L\u00f6w, An Wasserflussen Babylon Views: 26<\/p>\n","protected":false},"author":1,"featured_media":8146,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[309,7],"tags":[],"class_list":["post-8144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-low-rudolf","category-scores","genre-an-wasserflussen-babylon","genre-choral-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/12\/L%C3%B6w-An-Wasserfl%C3%BCssen-Babylon.png?fit=1003%2C643&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-27m","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=8144"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8144\/revisions"}],"predecessor-version":[{"id":8971,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8144\/revisions\/8971"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/8146"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=8144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=8144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=8144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}