{"id":8152,"date":"2019-12-23T08:58:25","date_gmt":"2019-12-23T06:58:25","guid":{"rendered":"http:\/\/partitura.org\/?p=8152"},"modified":"2025-03-23T17:42:46","modified_gmt":"2025-03-23T15:42:46","slug":"rudolf-low-wo-soll-ich-fliehen-hin","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/rudolf-low-wo-soll-ich-fliehen-hin\/","title":{"rendered":"Rudolf L\u00f6w, Wo soll ich fliehen hin"},"content":{"rendered":"<p>The S\u00e4chsische Landes- und Universit\u00e4tsbibliothek in Dresden posesses a manuscript of 12 organ compositions by Rudolf L\u00f6w&#8217;s hand. It is his opus 1, which he dedicated to his teacher Carl Ferdinand Becker. <\/p>\n<p>L\u00f6w mostly emplois forms and procedures from the Baroque era with a harmonic language that is sometimes slightly romantic. L\u00f6w&#8217;s choral prelude to &#8220;Wo soll ich fliehen hin&#8221; is again a good example of L\u00f6w&#8217;s usage of form and idiom of the Baroque. The choral melody is played with the pedals, and the hands play a lively accompaniment in a Trio-like structure. <\/p>\n<p>The recording was done on the sample set of the Van Dam organ (1832) in Tholen by <a href=\"https:\/\/www.voxusorgans.com\/en\/product\/tholen\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2019\/12\/Low-Wo-soll-ich-fliehen-hin.pdf\" data-kccpid=\"8152\">L\u00f6w, Wo soll ich fliehen hin<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/7v7WCAAraeId3Knuscl9dx?si=noICXXWlS22XnbVBj5SQmQ\" target=\"_blank\" rel=\"noopener\">L\u00f6w, Wo soll ich fliehen hin<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/7v7WCAAraeId3Knuscl9dx\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 9<\/p>","protected":false},"excerpt":{"rendered":"<p>The S\u00e4chsische Landes- und Universit\u00e4tsbibliothek in Dresden posesses a manuscript of 12 organ compositions by Rudolf L\u00f6w&#8217;s hand. It is his opus 1, which he dedicated to his teacher Carl Ferdinand Becker. L\u00f6w mostly emplois forms and procedures from the Baroque era with a harmonic language that is sometimes slightly romantic. L\u00f6w&#8217;s choral prelude to &#8220;Wo soll ich fliehen hin&#8221; is again a good example of L\u00f6w&#8217;s usage of form and idiom of the Baroque. The choral melody is played with the pedals, and the hands play a lively accompaniment in a Trio-like structure. The recording was done on the sample set of the Van Dam organ (1832) in Tholen by Voxus Organs for Hauptwerk. Score L\u00f6w, Wo soll ich fliehen hin Performance L\u00f6w, Wo soll ich fliehen hin Views: 9<\/p>\n","protected":false},"author":1,"featured_media":8179,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[309,7],"tags":[],"class_list":["post-8152","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-low-rudolf","category-scores","genre-auf-meinen-lieben-gott","genre-choral-prelude","genre-wo-soll-ich-fliehen-hin"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2019\/12\/L%C3%B6w-wo-soll-ich-fliehen-hin.png?fit=988%2C633&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-27u","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=8152"}],"version-history":[{"count":7,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8152\/revisions"}],"predecessor-version":[{"id":8970,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8152\/revisions\/8970"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/8179"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=8152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=8152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=8152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}