{"id":8481,"date":"2020-01-18T19:29:34","date_gmt":"2020-01-18T17:29:34","guid":{"rendered":"http:\/\/partitura.org\/?p=8481"},"modified":"2020-01-18T19:29:34","modified_gmt":"2020-01-18T17:29:34","slug":"ernest-grosjean-memento","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/ernest-grosjean-memento\/","title":{"rendered":"Ernest Grosjean, Memento"},"content":{"rendered":"<p>Ernest Grosjean (1844 &#8211; 1936) published &#8220;Pi\u00e8ces pour orgue ou harmonium&#8221;, a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the use of pedals. The second half of this volume is a section called &#8220;Pi\u00e8ces Fun\u00e8bres&#8221;, pieces intended to be used during funeral services. <\/p>\n<p>This Memento is almost the last one of the Grosjean compositions I intend to publish. Though it is one of the shortest compositions in the original Edition, it is also, in my opinion one of the most beautiful. With simple means Grosjean creates an atmosphere of longing and intense sadness. <\/p>\n<p>The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Stahlhuth\/Jahn organ in the <a href=\"https:\/\/www.voxusorgans.com\/en\/product\/dudelange\">St. Martin\u2019s church, Dudelange<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2020\/01\/Grosjean-32-Memento.pdf\"data-kccpid=\"8481\">Grosjean, Memento<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/soundcloud.com\/user-352650150\/grosjean-memento\" target=\"_blank\" rel=\"noopener\">Grosjean, Pr\u00e9lude<\/a><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/745533559&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true\"><\/iframe><\/p>\n<p>Views: 19<\/p>","protected":false},"excerpt":{"rendered":"<p>Ernest Grosjean (1844 &#8211; 1936) published &#8220;Pi\u00e8ces pour orgue ou harmonium&#8221;, a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the use of pedals. The second half of this volume is a section called &#8220;Pi\u00e8ces Fun\u00e8bres&#8221;, pieces intended to be used during funeral services. This Memento is almost the last one of the Grosjean compositions I intend to publish. Though it is one of the shortest compositions in the original Edition, it is also, in my opinion one of the most beautiful. With simple means Grosjean creates an atmosphere of longing and intense sadness. The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Stahlhuth\/Jahn organ in the St. Martin\u2019s church, Dudelange. Score Grosjean, Memento Performance Grosjean, Pr\u00e9lude Views: 19<\/p>\n","protected":false},"author":1,"featured_media":8483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[83,7],"tags":[],"class_list":["post-8481","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-grosjean-ernest","category-scores","genre-various"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2020\/01\/Grosjean-32-Memento.png?fit=1002%2C646&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2cN","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=8481"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8481\/revisions"}],"predecessor-version":[{"id":8484,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8481\/revisions\/8484"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/8483"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=8481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=8481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=8481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}