{"id":8511,"date":"2020-01-20T20:49:32","date_gmt":"2020-01-20T18:49:32","guid":{"rendered":"http:\/\/partitura.org\/?p=8511"},"modified":"2021-12-02T19:49:31","modified_gmt":"2021-12-02T17:49:31","slug":"friedrich-wilhelm-zachow-o-lamm-gottes-unschuldig-lv-40","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/friedrich-wilhelm-zachow-o-lamm-gottes-unschuldig-lv-40\/","title":{"rendered":"Friedrich Wilhelm Zachow, O Lamm Gottes unschuldig (LV 40)"},"content":{"rendered":"<p>Zachow wrote a nice three part chorale prelude to &#8220;O Lamm Gottes unschuldig&#8221;. The chorale melody is in the upper voice, while the other two voices play an accompaniment in eigth notes. It is a great example to study for anyone who whishes to learn how to write a simple chorale prelude, based on an harmonisation of the chorale melody.<\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2020\/01\/Zachow-O-lamm-Gottes-unschuldig-LV-40.pdf\"data-kccpid=\"8511\">Zachow, O lamm Gottes unschuldig (LV 40)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/album\/5s4oi6JsNsyG9eEPl2rbl4\" target=\"_blank\" rel=\"noopener\">Zachow, O lamm Gottes unschuldig (LV 40<)\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/016ulGYTzeakWxD4nu2Lw9\" width=\"100%\" height=\"166\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 24<\/p>","protected":false},"excerpt":{"rendered":"<p>Zachow wrote a nice three part chorale prelude to &#8220;O Lamm Gottes unschuldig&#8221;. The chorale melody is in the upper voice, while the other two voices play an accompaniment in eigth notes. It is a great example to study for anyone who whishes to learn how to write a simple chorale prelude, based on an harmonisation of the chorale melody. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Score Zachow, O lamm Gottes unschuldig (LV 40) Performance Zachow, O lamm Gottes unschuldig (LV 40 Views: 24<\/p>\n","protected":false},"author":1,"featured_media":8513,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,29],"tags":[],"class_list":["post-8511","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-zachow-friedrich-wilhelm","genre-choral-prelude","genre-o-lamm-gottes"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2020\/01\/Zachow-O-Lamm-Gottes-unschuldig.png?fit=1002%2C642&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2dh","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=8511"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8511\/revisions"}],"predecessor-version":[{"id":9950,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8511\/revisions\/9950"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/8513"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=8511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=8511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=8511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}