{"id":8612,"date":"2020-02-04T20:19:40","date_gmt":"2020-02-04T18:19:40","guid":{"rendered":"http:\/\/partitura.org\/?p=8612"},"modified":"2020-02-09T21:56:39","modified_gmt":"2020-02-09T19:56:39","slug":"wilhelm-karges-heinrich-scheideman-fantasia-in-g-after-scheidemanns-canzona-wv-74","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/wilhelm-karges-heinrich-scheideman-fantasia-in-g-after-scheidemanns-canzona-wv-74\/","title":{"rendered":"Wilhelm Karges, Heinrich Scheideman, Fantasia in G (after Scheidemann&#8217;s Canzona WV 74)"},"content":{"rendered":"<p>Even though Karges writes no initials below the title, the Fantasia in G is an adaptation of Scheidemann&#8217;s Canzona, WV 74. Karges does not introduce new elements in the composition, he just makes it a bit shorter, by cutting out the parts he (presumably) found less interesting. Where Scheidemann&#8217;s original is about four and a half minutes long, Karges&#8217; adaptation is about three minutes long. Again, I think an indication that Karges needed music of a certain length, an adapted existing compositions to fill that need. <\/p>\n<p>The result is a piece of music that can stand very well on it&#8217;s own. Those wo are familiar with Scheidemann&#8217;s original will probably miss the fragments Karges cut out. Those who are not (myself among them, before I sought out the origins of this composition) will not even suspect there are fragments missing. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2020\/01\/Karges-HS-p0046-Fantasia.pdf\"data-kccpid=\"8612\">Karges, Scheidemann, Fantasia in G<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/67N3d5G0fMnDrzMstk3LPs?si=qLsPqeHsQkWk-gehi8Y6ow\" target=\"_blank\" rel=\"noopener\">Karges, Scheidemann, Fantasia in G<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/67N3d5G0fMnDrzMstk3LPs\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p>Views: 23<\/p>","protected":false},"excerpt":{"rendered":"<p>Even though Karges writes no initials below the title, the Fantasia in G is an adaptation of Scheidemann&#8217;s Canzona, WV 74. Karges does not introduce new elements in the composition, he just makes it a bit shorter, by cutting out the parts he (presumably) found less interesting. Where Scheidemann&#8217;s original is about four and a half minutes long, Karges&#8217; adaptation is about three minutes long. Again, I think an indication that Karges needed music of a certain length, an adapted existing compositions to fill that need. The result is a piece of music that can stand very well on it&#8217;s own. Those wo are familiar with Scheidemann&#8217;s original will probably miss the fragments Karges cut out. Those who are not (myself among them, before I sought out the origins of this composition) will not even suspect there are fragments missing. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Karges, Scheidemann, Fantasia in G Performance Karges, Scheidemann, Fantasia in G Views: 23<\/p>\n","protected":false},"author":1,"featured_media":8614,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[82,290,7],"tags":[],"class_list":["post-8612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-karges-wilhelm","category-scheidemann-heinrich","category-scores","genre-fantasia"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2020\/01\/Karges-XX-p0046-Fantasia-G.png?fit=985%2C633&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2eU","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=8612"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8612\/revisions"}],"predecessor-version":[{"id":8659,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/8612\/revisions\/8659"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/8614"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=8612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=8612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=8612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}