{"id":9087,"date":"2021-01-10T18:15:55","date_gmt":"2021-01-10T16:15:55","guid":{"rendered":"http:\/\/partitura.org\/?p=9087"},"modified":"2021-12-02T20:49:50","modified_gmt":"2021-12-02T18:49:50","slug":"friedrich-wilhelm-zachow-ach-herr-mich-armen-sunder","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/friedrich-wilhelm-zachow-ach-herr-mich-armen-sunder\/","title":{"rendered":"Friedrich Wilhelm Zachow, Ach herr, mich armen S\u00fcnder (LV 24)"},"content":{"rendered":"<p>The melody for &#8220;Ach Herr, mich armen S\u00fcnder&#8221; is the same as the melody for &#8220;Befiehl du deine Wege&#8221;, which was the subject of last week&#8217;s post. Though subject matter and even the tomality are the same, Zachow creates a vastly different piece than Tag. Where Tag&#8217;s composition is the more introspective, Zachow looks to give some added comfort in providing a more lively accompaniment. <\/p>\n<p>The recording was done with the sampleset, made by Sonus Paradisi, of the <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/germany\/klapmeyer-organ-altenbruch.html\">the Klapmeyer organ in the St. Nikolai church in Altenbruch<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2021\/01\/Zachow-Ach-herr-mich-armen-Sunder.pdf\"data-kccpid=\"9087\">Zachow, Ach herr, mich armen S\u00fcnder<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/OC0Wyi-CQdI\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe> <\/p>\n<p>Views: 15<\/p>","protected":false},"excerpt":{"rendered":"<p>The melody for &#8220;Ach Herr, mich armen S\u00fcnder&#8221; is the same as the melody for &#8220;Befiehl du deine Wege&#8221;, which was the subject of last week&#8217;s post. Though subject matter and even the tomality are the same, Zachow creates a vastly different piece than Tag. Where Tag&#8217;s composition is the more introspective, Zachow looks to give some added comfort in providing a more lively accompaniment. The recording was done with the sampleset, made by Sonus Paradisi, of the the Klapmeyer organ in the St. Nikolai church in Altenbruch. Score Zachow, Ach herr, mich armen S\u00fcnder Performance Views: 15<\/p>\n","protected":false},"author":1,"featured_media":9088,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,29],"tags":[],"class_list":["post-9087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-zachow-friedrich-wilhelm","genre-ach-herr-mich-arme-sunder","genre-choral-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2021\/01\/Zachow-Ach-Herr-mich-armen-S%C3%BCnder.png?fit=881%2C565&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2mz","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/9087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=9087"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/9087\/revisions"}],"predecessor-version":[{"id":9960,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/9087\/revisions\/9960"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/9088"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=9087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=9087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=9087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}