{"id":9133,"date":"2021-02-02T21:59:49","date_gmt":"2021-02-02T19:59:49","guid":{"rendered":"http:\/\/partitura.org\/?p=9133"},"modified":"2021-02-02T21:59:49","modified_gmt":"2021-02-02T19:59:49","slug":"friedrich-wilhelm-zachow-was-mein-gott-will-das-gescheh-allzeit-lv-23","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/friedrich-wilhelm-zachow-was-mein-gott-will-das-gescheh-allzeit-lv-23\/","title":{"rendered":"Friedrich Wilhelm Zachow, Was mein Gott will, das gescheh allzeit (LV 23)"},"content":{"rendered":"<p>Zachow&#8217;s prelude to &#8220;Was mein Gott will das gescheh allzeit&#8221; (LV 23) is a solidly written composition, though perhaps a bit scholarly like. Each phrase of the choral melody gets a short fugato treatment. As the melody nicely alternates between C major and a minor, the prelude does as well, giving it a bit more spice than it otherwise would have had.<\/p>\n<p>The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Schittger organ in the St. Martini-kerk, Groningen (http:\/\/www.sonusparadisi.cz\/en\/organs\/netherlands\/groningen-st-martini.html).<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2021\/02\/Zachow-Was-mein-Got-will.ly_.pdf\"data-kccpid=\"9133\">Zachow, Was mein Got will (LV 23)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/baxOZ2YlqFM\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 22<\/p>","protected":false},"excerpt":{"rendered":"<p>Zachow&#8217;s prelude to &#8220;Was mein Gott will das gescheh allzeit&#8221; (LV 23) is a solidly written composition, though perhaps a bit scholarly like. Each phrase of the choral melody gets a short fugato treatment. As the melody nicely alternates between C major and a minor, the prelude does as well, giving it a bit more spice than it otherwise would have had. The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Schittger organ in the St. Martini-kerk, Groningen (http:\/\/www.sonusparadisi.cz\/en\/organs\/netherlands\/groningen-st-martini.html). Score Zachow, Was mein Got will (LV 23) Performance Views: 22<\/p>\n","protected":false},"author":1,"featured_media":9135,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,29],"tags":[],"class_list":["post-9133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-zachow-friedrich-wilhelm","genre-choral-prelude","genre-was-mein-gott-will-das-gscheht-allzeit"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2021\/02\/Zachow-was-mein-Gott-will-das-gescheh-allzeit.png?fit=877%2C565&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2nj","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/9133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=9133"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/9133\/revisions"}],"predecessor-version":[{"id":9136,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/9133\/revisions\/9136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/9135"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=9133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=9133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=9133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}