{"id":9791,"date":"2021-03-28T20:59:17","date_gmt":"2021-03-28T18:59:17","guid":{"rendered":"http:\/\/partitura.org\/?p=9791"},"modified":"2021-12-02T21:25:04","modified_gmt":"2021-12-02T19:25:04","slug":"gottfried-kirchhoff-wenn-wir-in-hochsten-nothen-sein","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/gottfried-kirchhoff-wenn-wir-in-hochsten-nothen-sein\/","title":{"rendered":"Gottfried Kirchhoff, Wenn wir in H\u00f6chsten N\u00f6then sein"},"content":{"rendered":"<p>Kirchhoff&#8217;s prelude to the choral &#8220;Wenn wir in h\u00f6chsten N\u00f6then sein&#8221; is a peculiar piece. The choral meody is played unisono on the manuals and the pedal. Between each phrase of the melody Kitchhoff writes some virtuaosic passage work. The result is rather frivolous and not what you might expect to hear in conjunction to a text that picture the meaning of God for those in utmost need. <\/p>\n<p>The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Schittger organ in the St. Martini-kerk, Groningen (http:\/\/www.sonusparadisi.cz\/en\/organs\/netherlands\/groningen-st-martini.html).<\/p>\n<div id=\"score\"><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2021\/03\/Kirchhoff-Wenn-wir-in-hochsten-Nothen-sein.pdf\"data-kccpid=\"9791\">Kirchhoff, Wenn wir in h\u00f6chsten N\u00f6then sein<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/KpVkZizDUdo\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 15<\/p>","protected":false},"excerpt":{"rendered":"<p>Kirchhoff&#8217;s prelude to the choral &#8220;Wenn wir in h\u00f6chsten N\u00f6then sein&#8221; is a peculiar piece. The choral meody is played unisono on the manuals and the pedal. Between each phrase of the melody Kitchhoff writes some virtuaosic passage work. The result is rather frivolous and not what you might expect to hear in conjunction to a text that picture the meaning of God for those in utmost need. The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Schittger organ in the St. Martini-kerk, Groningen (http:\/\/www.sonusparadisi.cz\/en\/organs\/netherlands\/groningen-st-martini.html). Score Kirchhoff, Wenn wir in h\u00f6chsten N\u00f6then sein Performance Views: 15<\/p>\n","protected":false},"author":1,"featured_media":9793,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[314,7],"tags":[],"class_list":["post-9791","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kirchhoff-gottfried","category-scores","genre-choral-prelude","genre-wenn-wir-in-hochsten-nothen-sein"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2021\/03\/Kirchhoff-Wenn-wir-in-hochsten-Nothen-sein.png?fit=857%2C559&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2xV","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/9791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=9791"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/9791\/revisions"}],"predecessor-version":[{"id":9967,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/9791\/revisions\/9967"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/9793"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=9791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=9791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=9791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}