Sorge’s prelude to “Jesus, meine Zuversicht” is another fine example of Sorge’s fine way of using a trio like texture to create a chorale prelude. The introduction is written for two voices and pedal. When the chorale melody enters the accompaniment is reduced to one voice and pedals. Sorge writes a brilliant, fast moving accompaniment for the chorale melody.
The recording was done on the sample set of the Van Dam organ (1832) in Tholen by Voxus Organs for Hauptwerk.
Sorge, Jesus meine Zuversicht