The last few chorale preludes from Kauffmann’s “Harmonische Seelenlust” all have the same form of a fugato on the first phrase of the chorale melody. They show that Kauffmann had a firm grip of counterpoint: he has no trouble to use a chorale melody as a bass voice.

The recording was done on the sample set of the Müller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk.

Kauffmann, Durch Adams Fall ist ganz verderbt

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