Pachelbel’s prelude to “Vom Himmel hoch da komm ich her” has the choral melody in the bass. The hands accompany the melody in a two part texture. The same technique is often used by Johann Michael Bach and also by Johann Bernhard Bach in his prelude to the same choral.
The recording was done on the sample set of the Mascioni of the parisch church in Giubiasco, made by Piotr Gabrowsky.
Pachelbel, Vom Himmel hoch da komm ich her