Of course I had to try Lohet on my new sample set as well. Lohet’s eighteenth fugue is again some dense contrapuntal writing. The first part of the fugue is setup as a mono thematic fugue. Somewhere around twothird of the piece it changes in a double fugue. In the original edition the alto and tenor voice play the second theme in unisono. I have the feeling it is an editorial error. But since I have no other source, I leave it as it is.

The recording was done on the sample set of the Müller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk.
BW: Praestant 8′, Baarpijp 8′, Octaaf 4′, Nasard 3′, Dolceaan 8′
Ped: Subbas 16′, Octaaf 8′, Octaaf 4′

Score (pedal)
pdf_iconLohet, Fuga Decima Octava

Score (non pedal)
pdf_iconLohet, Fuga Decima Octava




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