Lohet’s sixth fugue, though short, uses contrapuntal devices as stretto and diminution and combines them as well. In that respect it is more modern than the fifth fugue. The harmonic progression though is in places still quite ‘old’.
The recording was done with the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam.
Lohet, Sexta Fuga