Paul Siefert (?), Fantasia Noni Toni ex A La Mi Re
The Fantasia noni Toni Ex A La Mi Re is the last of the 13 anonymous fantasia from manuscript Becker II.2.51. It took me a bit longer to finish this series than I initially...
The Fantasia noni Toni Ex A La Mi Re is the last of the 13 anonymous fantasia from manuscript Becker II.2.51. It took me a bit longer to finish this series than I initially...
The second Fantasia octavi Toni ex G from manuscript Backer II.2.51 is structurally similar to it’s predecessor in the manusript. Both feature three episodes in whoch the themes appear in their ‘normal’ form and...
The fantasia octavi Toni ex G is the eleventh fantasia from manuscript Becker II.2.51, owned by the Stadtbibliothek Leipzig. It features three distinguisable episodes with each it’s own fugue theme. In each of these...
[update, april 5th, 2025] It has come to my attention, that in other publications this composition is attributed to Johann Gottfried Müthel. This assumption is based on the fact that Müthel is the scribe...
Somehow anonymus pieces are less popular than pieces we know the composer of. And where the compositions with known composers get published, the anonymus compositions are often overlooked. And that’s all the more the...
The Fantasia in D, written on folio 25 of manuscript Am.B 340 is again an anonymous work. It is again an Echo Fantasia and has many similarities with the preceding one. I am inclined...
Manuscript Mus ms 40037, owned by the Staatsbibliothek Berlin, contains 5 chorale preludes to “Jesus Christus, under Heiland, der von uns”. Three of them were composed by Zachow, two remain anonymous. Though there is...
The next composition in manuscript Am.B. 340 (after the Fantasia in G, published last week) is again an anonymous composition and I do not know on which original it might be based. The composition...
Manuscript Mus ms 40037, owned by the Staatsbibliothek Berlin, contains 5 chorale preludes to “Jesus Christus, under Heiland, der von uns”. Three of them were composed by Zachow, two remain anonymous. Though there is...
[update, 21-03-2021] I finally deduced what the meaning is of this sign: It signifies a repeat. That means that in this particular piece there is a repeat near the end that I had hitherto...
It is a fact that people like to have a name of the creator to go with a piece of art. Pieces that cannot be attributed to a person, are somehow less valuable. Probably...
This is the fifth of the unedited anonymus choral preludes from manuscript KN 209, owned owned by the Ratsbücherei in Lüneburg I have the privilige to publish. It is again a magnificent composition, based...
This is the fourth of the unedited anonymus choral preludes from manuscript KN 209, owned owned by the Ratsbücherei in Lüneburg I have the privilige to publish. This is really a magnificent composition, based...
This is the third of the unedited anonymus choral preludes from manuscript KN 209, owned owned by the Ratsbücherei in Lüneburg I have the privilige to publish. I is a relatively straightforward manualiter composition....
Almost three years a go I created a publication containing all organ works by Simon Lohet (Loxhay) (c. 1550 – 1611), a Flemish composer, possibly born in Maastricht. The primary source for Lohet’s remaining...