Karges’ Capricio Septimi Toni is based on Sebastian Anton Scherer’s Intonatios Tertia and Secunda Septimi Toni. As with the Capricio in G the composition is almost identical to Scherer’s original. Karges omits some of...
Karges’ Capricio in G is based on Scherer’s Intonatios Tertia and Secunda Octavi Toni. The composition is almost identical to Scherer’s original. Karges only glues them together to create a two movement composition in...
Karges’ Capricio Secundi Toni is based on Scherer’s Intonatio Tertia Secundi Toni. Scherer’s original only makes up the first half of Karges’ composition. Karges adds four bars to Scherer’s original before coming to a...
Karges’ Capricio Sexti Toni is based on Scherer’s Intonatio Tertia Tertii Toni and Intonatio Quarta Tertii Toni. Karges uses only the first 12 bars of Scherer’s Intonatio Tertia Tertii Toni and skips the remaining...
Karges’ Capricio in g is based on Scherer’s Intonatio Quarta Secunda Toni. The capricio consists of two segments and only the first one is a citation of Scherer’s composition. Karges cites Scherer’s Intonatio almost...
Karges’ Capricio in C is based on Scherer’s Intonatio Secunda Quindi Toni. The capricio consists of three segments and only the middle one is a citation of Scherer’s composition. Karges adds an introduction, that...
In his adaptations Karges did not only shorten the original compositions he based his adaptations on, sometimes he elongated the originals as well. The Ricercar Primi Toni is an example of the latter. This...
