In the prelude to “Auf meinen lieben Gott” Kauffmann has the melody embellished in the soprano voice. Alto and bass provide a simple yet effective accompaniment. Kaufmann prescribes a quintadena 16′ for this prelude. I follow Kauffmann’s registration prescription closely in the recording.
The recording was done on the sample set of the Müller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk.
Score
Kauffmann, Auf meinen lieben Gott
Performance
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